1989生于河北，2007年毕业于中央美术学院附中，2011年毕业于中央美术学院获学士学位，2016年毕业于中央美术学院获硕士学位，现工作生活于北京。她的作品擅长用不同媒介反思固化印象对人个人身份的塑造。作品的力量一部分来自于尺寸与颜色的不协调，一部分来自于解构重组日常平庸所带来的荒诞感和诱惑感。谢堃的作品在抓得住的现实与另一个幻想与象征的世界徘徊。呈现出一种自我消亡的象征。作品展览于威尼斯军械库、俄罗斯民族文化宫、中国美术馆、太庙、特拉华当代艺术馆等艺术机构。作品被白兔美术馆，湖北美术馆，中央美术学院美术馆等多个机构和个人收藏。
个展包括：你说的都对，叁拾空间，北京，2022；尼采说的超人，悦美术馆，北京，2022；Non-existence，Take Ninagawa，东京，2018；让我们说说话吧，站台中国droom，北京，2017；
重要群展包括：永昼，美成空间，深圳，2024；捕捉，站台中国，北京，2023；语言之蛊惑，槐轩，北京，2023；洛德世界2，野松画廊，深圳，2022；我与我的赋格曲，艺术仓库当代艺术中心，重庆，2022；不一定 ，幻艺术中心 ，北京，2021；开人器，爱慕美术馆，北京，2021；青年艺术图景， HARVEY GALLERIES，悉尼，2019；间隙，特拉华当代艺术馆，美国特拉华，2019；拉古纳国际艺术奖，军械库，意大利威尼斯，2019；何论东西，湖北美术馆，武汉，2017；走出牡丹亭，俄罗斯民族文化宫，俄罗斯圣彼得堡 ，2016；2017年获得威尼斯拉古纳国际艺术奖。14年获韩国E.LAND奖。2018获得桃葡湾最具人气艺术家奖。
Xie Kun was born in Zhangjiakou, Hebei Province in 1989. She graduated from the High School Affiliated to the Central Academy of Fine Arts in 2007 and received her Bachelor of Arts degree from the Central Academy of Fine Arts in 2011. In 2016, she completed her Master of Fine Arts degree from the same institution. She is currently based in Beijing. She’s skilled in painting and creating image installations, using various mediums to explore the formation of personal identity and solidify impressions. The power of the work comes partly from the mismatch between size and colour, and partly from the absurdity and temptation brought about by deconstructing and reconstructing everyday mediocrity. Xie Kun’s works wander between the reality that can be grasped and another world of fantasy and symbolism, presenting a symbol of self-extinction. The works are exhibited at art institutions such as the Venice Armory, the Russian National Culture Palace, the Chinese Art Museum, the Temple of Supreme Harmony, and the Delaware Museum of Contemporary Art. Multiple works have been collected by institutions and individuals such as the White Rabbit Art Museum, Hubei Art Museum, and the Central Academy of Fine Arts Art Museum.
Solo exhibitions include: “Anomalisa”, Sense Gallery, Beijing, China, 2022; “Nietzsche’s Philosophy of Superman”, Enjoy-Art Museum, Beijing, China, 2022; “Non-existence”, Take Ninagawa, Tokyo, Japan, 2018; “Auto ART XieKun: Let’s Communicate Properly”, Platform China, Beijing, China, 2017
Group exhibitions include: “Polar Day”, Gallery MC, Shenzhen, China, 2024;”Bewitchment by Language”, HUAIXUAN, Beijing, China, 2023； “Capture”, Platform China Contemporary Art Institute, Beijing, China, 2023； “LOD WORLD 2”, Issuing Gallery, Shenzhen, China, 2022； “Echo of the Fugue”, Art Depot Center, Chongqing, China, 2022； “Uncertain”, Dreamland Art Center, Beijing, China, 2021； “I”, AimerArt, Beijing, China, 2021； “Mind the Gap”, Delaware Art Museum, USA, 2019； “Prospect of Youth Art”, Harvey Galleries, Sydney, Australia, 2019； “Arte Laguna Prize”, Arsenale Nord, Venice, Italy, 2017； “Personal Favorites Coups de Coeur”, HuBei Museum of Art, Hubei, China, 2017； “Out to the Peony Pavilion”, Russia Cultural Palace of the National, St. Petersburg, Russia, 2016
